Tag: #design

  • Intervention design

    I’ve been thinking about design not just as something we make, but as something we do in relation to other people. Recently, I came across the idea of Intervention Design, and it resonated with me in a way that feels both professional and deeply human.

    For me, the concept isn’t really about products, services, or even innovation in the traditional sense. It’s about intentional presence and care as forms of intervention within real systems — families, communities, relationships, and cultures.

    Reading Aram Saroyan Armstrong’s reflections on chosen fatherhood and caregiving made me reconsider what intervention can look like. Not dramatic change, not authority, not recognition — but consistent, grounded support over time. The kind of care that quietly stabilises things. The kind that often goes unnamed.

    What struck me most was the idea of love as infrastructure — something steady and structural rather than emotional or abstract. Caregiving, in this sense, becomes a form of design work: shaping environments where people feel secure, supported, and able to grow.

    This reframes intervention as something relational and bottom-up, rather than imposed from above. It challenges assumptions about masculinity, responsibility, and what it means to contribute meaningfully to other people’s lives.

    The more I sit with it, the more I realise that some of the most powerful interventions are invisible. They happen in everyday decisions to show up, to help, to remain present, and to take responsibility without needing ownership.

    Maybe design, at its core, isn’t always about creating something new —

    sometimes it’s about sustaining what already exists, with intention and care.

  • Black Swan x SWT

    The SWT sector is inherently exposed to Black Swan dynamics because it sits at the intersection of fast-moving tech, shifting consumer behaviour, and fashion cycles.

    Black Swan events (in wearables) can:

    Create instant category leaders.

    Single unexpected breakthroughs; like a new AR display,

    Battery chemistry.

    AI-native eyewear (that can suddenly redefine the market and push one product to the front).

    Make existing products obsolete very quickly …. “Best-in-class” devices can be dethroned instantly when a competitor releases a surprising features. Radically better optics, double the battery life, or a new use-case that shifts what consumers expect.

    And in my area of specialism, they can also accelerate fashion–tech convergence. When a luxury brand releases a wearable that unexpectedly resonates culturally, it can pull the entire market toward lifestyle-led design. This can show how culture can shift faster than any forecast.

  • A Man in Uniform

    It’s often assumed—usually about men—that they don’t care about fashion or how they look. But they do care; they just frame it differently. What’s often described as “not caring” is really a focus on utility, durability, and function over aesthetics. Think of proud outdoorsmen, tradesmen, or soldiers: fashion, for them, is about whether something works.

    At first glance, you’d expect that children or perhaps the military would be the groups least concerned with appearance, prioritising pure function instead. Yet speak to any experienced quartermaster and they’d disagree immediately. The look of a garment—specifically, a uniform—is far more important than most people realise. Its visual design heavily influences acceptance, morale, and identity. If a soldier doesn’t actually want to wear it, if it feels awkward, ugly, or wrong, then its effectiveness is undermined long before it’s tested in the field. Good design in the military isn’t just about protection or practicality; it’s about creating something that people choose to wear with pride

  • Black Swan x Innovation

    Surprisingly often, technology first developed for medical use, ends up reshaping the consumer market. As I noted in my dissertation, one of the earliest examples of this crossover of SWT with medical devices was the pacemaker; fundamentally medical, deeply functional, implanted, yet theoretically wearable.

    Since then, sensors designed to monitor vital signs, track motion, support rehabilitation, or analyse neurological activity have steadily converged as they become smaller, cheaper, and easier to integrate. What began as clinical tools for diagnosis and recovery has been repurposed by consumer brands for fitness tracking, stress monitoring, sleep optimisation, and everyday health insights.

    This shift has not only broadened access to wellbeing data, but has also fuelled a new wave of fashion-forward wearables (smart wearable technology [SWTs]) where medical-grade innovation quietly powers lifestyle design. What once felt like “predicting the future” in design. has become more about creating conditions for serendipity. This mimics the concept central to Black Swan theory.

    A notable example is Hexoskin;

    Originally designed for astronauts, Hexoskin is a smart shirt equipped with sensors that track heart rate, HRV, breathing, movement, and overall activity. The data streams to a companion app in real time, offering detailed analysis that supports everything from everyday wellbeing to high-performance training. Comfortable, durable, and fully machine-washable, it enables long-term,

  • Georges Doriot

    confronted the design challenge of taking a white jacket that first emerged during World War I and adapting it for a university context, ensuring it functioned reliably across all environments and at all times.

    By taking on this task, rather than reinventing what had already been done elsewhere, Doriot approached the problem from first principles. He brought together insights from multiple industries, grounding the entire project in scientific testing. His design process was methodical and empirical: he consulted climatologists, physiologists, and geographers to determine the most effective approach for outfitting what would become a fighting force of 12 million people.

    Through this extensive collaboration, significant advancements emerged across the clothing industry—every sector of industry was, in some way, redirected toward supporting the war effort.

  • The Black Swan Effect

    The Black Swan effect refers to rare, unexpected events that have huge impacts, and only seem obvious in hindsight. It’s like the butterfly effect; small or unpredictable triggers lead to dramatic, far-reaching consequences.

    In short, it explains how humans underestimate the likelihood of extreme situations, but rely heavily on past data.

    Important attributes include unpredictability; nothing in the past clearly points defined the future.

    It concludes to really big consequences; PESTLE (as learned in my MSc: Political, Economic, Social, Technological, Legal and Environmental) or cultural. It’s only afterwards when it becomes obvious and should have been expected.

    Black Swanevents can instantly transform entire industries, markets, technologies, and even society itself.

  • HMDs

    I’ve already explored this in my “Meta Diaries,” where I’ve been documenting my experience with the Ray-Ban Meta smart glasses since buying them as a birthday present to myself. From day one, they impressed me—but they also revealed plenty of flaws that need fixing. Those posts dig into what it’s really like to use the device day-to-day, beyond the marketing hype, and I hope those insights help shape a better, more refined model in the future.

    As an easy introduction to SWTs, smart glasses are a good starting point; a medical-turned-fashion device with huge room for growth in practical utility. These head-mounted displays (HMDs) blend technology with everyday eyewear. Below is a brief overview of their core features and the key advantages they offer:

    ·        Integrated display

    ·        Compact design

    ·        Suitable for daily use

    ·        Clear screen

    ·        Long battery life

    ·        Versatile compatibility (smartphones, PCs, video games)

    ·        AI assistance

    Disadvantages:

    ·        Standard lens quality

    ·        Limited constant use

    ·        Upper lens display may be affected by electronics

    ·        Some models are monochrome

    ·        Requires an external computing system

    Vufine produces HMDs and also supplies major AR headsets like the Magic Leap One and Microsoft’s HoloLens 2. While these models are developer-focused and costly, more affordable consumer AR glasses are emerging. Both AR and VR are increasingly used by businesses to support strategic employee training.

    With its early functionality and highly utilitarian design, this device has already proven to be a strong entry point into the wearable tech space—showing how seamlessly technology can be made wearable. It’s widely predicted that major fashion houses and leading tech companies will continue to converge, combining brand influence with technological innovation.

    The newly released Ray-Ban Meta Gen 2 (Sept 17, 2025) will be covered in the next post.

  • Eyewear

    The eyewear industry is unusually multifaceted. Complexity exists not only in design, point of sale, manufacturing, and material choices, but also in the way products themselves are developed. Frames and lenses must be researched and produced separately, each requiring precision and independent innovation.

    Eyewear’s origins can be traced to the Arabic world, where early vision improvement came in the form of reading stones, similar to small magnifying lenses. In early modern art, glasses often symbolized aging, death, or even evil, contributing to a historical stigma. Today, however, the global eyewear market generates well over $150 billion annually.

    Companies that control every step of this process are known as vertically integrated players, overseeing the entire chain from raw material to final sale. The most prominent example in this industry is Essilor Luxottica.

    Essilor Luxottica manages lens technology, manufacturing, optical laboratories, frame production, brand licensing, retail distribution, vision insurance, optical software, third-party labs, and optical equipment. Much like major fashion houses, they control supply chain, distribution, and customer experience, and because their primary value lies in branding and design, the technical complexity of lenses often matters less to consumers than the name stamped on the frame!

    The company was founded by Leonardo Del Vecchio, who intended from the beginning to build a fully comprehensive eyewear empire. In effect, it is an extreme form of vertical integration. The firm operates like a massive holding company focused entirely on eyewear, growing through acquisition, consolidation, and the advantages of scale. Royalties and licensing add another layer of profit. Their manufacturing processes are intentionally straightforward, producing high yields at low cost, and recent consolidation shows that future growth will depend heavily on how emerging technologies are incorporated.

    Historically, the industry changed significantly in the 1970s. Collaboration between a medical product and a fashion product, transformed eyewear from a medical necessity into an aesthetic accessory. For the first time, a customer could obtain a prescription from one place and purchase lenses or frames elsewhere, splitting the business and creating competition. A defining moment came when Armani partnered with Luxottica to launch branded Armani eyewear, turning glasses into luxury objects. Other clothing brands expanded into non-garment consumer goods, such as Halston entering home textiles and Pierre Cardin producing cookware. Luxottica continued its acquisitions, adding brands such as Ray-Ban and Oakley, and used vertical integration to lower production costs while maintaining high margins.

    This strategy paid off. Today Essilor Luxottica accounts for roughly one-quarter of the global prescription eyewear market, within an industry valued at around $100 billion. Their market dominance is reflected in their economics: raw materials for a pair of frames may cost as little as twenty dollars, yet retail prices frequently reach hundreds, driven almost entirely by brand value rather than production cost.

    Despite eyewear being an old technology, glasses were invented about eight centuries ago, through innovation in lenses which has been relatively slow. This contrasts sharply with fields like aerospace, where research investment is enormous. The question remains whether eyewear will undergo meaningful technological evolution, or whether its value will continue to rest primarily in branding and fashion.

    Any discussion of this industry also has to consider economics and government regulation. In the 2010s, government intervention in major mergers declined, and several political decisions allowed companies to consolidate more freely despite concerns about competition. Two major pieces of U.S. legislation are relevant: the Sherman Act of 1890 and the Clayton Act of 1914. The Sherman Act prohibits false claims, collusion, price fixing, and any agreements that restrain trade, while the Clayton Act focuses on restricting mergers that reduce competition. Modern examples include the Facebook acquisition of Instagram, which reduced competitive pressure from rival platforms, and the U.S. Justice Department’s lawsuit against Ticketmaster and Live Nation for monopolization.

    In eyewear, monopoly concerns are widespread. Critics argue that competition is limited, profit margins are extreme; even compared with other luxury goods, and pricing strategies exploit consumers with limited information. The situation resembles the pharmaceutical market, where necessity and high margins coexist. Industrial organization considerations include branding, retail strategy, product placement, and regulatory pressure.

    Around 1960, eyewear made a cultural leap from medical device to fashion accessory. This transformation came with enormous markups, sometimes reaching one 1000%, because consumers became willing to pay primarily for brand identity. Yet global access is uneven: many people who need vision correction still do not have it, while many who do not strictly need glasses buy them for style.

    A modern challenge to Luxottica’s dominance has emerged through the online retailer Warby Parker. Their business model is built on transparency and low prices, with frames starting around fifty dollars. In contrast, traditional optical shops rarely display prices, making it easy for consumers to be upsold due to information asymmetry. Warby Parker sells directly to customers, offers home try-on options, and installs prescription lenses after purchase. The company went public in 2021 with a market capitalization of about two billion dollars. Its gross margin is approximately 56 percent, even after accounting for optometrists and physical store buildouts. Although the company holds only about two percent of the U.S. eyewear market and cannot operate entirely online due to the medical complexities of prescriptions, it has built a business model fundamentally different from Luxottica’s and has no desire to replicate the traditional vertically integrated system.

  • #AppleWatch

    I have a serious7… old, I know. But continuously evolving. This post is on my model, but the product in general.

    From various primary and secondary research, in general, this smartwatch sticks to primarily several functions: a watch, a timer, reminders and email.

    There are other, more sleep or sports focused apps, but for me, researching a single product, that focuses solely on being the best of the best of that field, means the data is more focused and the results are easier to digest.

  • MAYA

    The acronym MAYA = “Most Advanced Yet Acceptable”. A theory initiated by Loewy, to philosophise the principles of design.

    For the biggest impact and the most successful designs; the thing designed (products, concepts xyz…) should should innovate, but seems familiar….

    Like a familiar surprise.

    Pushing the boundaries of design, but ensuring the product remains accessible and understandable.